Here comes a Christmas tradition from a special canton of Switzerland, Appenzell Inner-Rhodes, the smallest Swiss federal state by population number and the last one to award women the right to vote in cantonal elections (only in 1991). Appenzell Inner-Rhodes is most known for the practice of Landsgemeinde, open voting by the raising of hands in the public town square, one of the oldest forms of direct democracy. This canton is also known for its unique folk costumes, naive paintings and agrarian traditions. Its relative isolation, it is located away from the main communication routes, was a contributing factor in the preservation of the specificity of traditional practices at various times of the year. One of these unique practices is the Chlausezüüg.
Autumn school break is over which means that for the past two days I have been binging on Harry Potter and Kambly biberli and taking long baths…in the bathtub. While our vacations have been getting easier because FriBoy has grown into a collaborative, easygoing and fun kid to be around, I still find it hard to manage his activities all by myself. We haven’t had grandparents here to help out in a long while, and those couple of hours a day, while they were in charge and I got to sit and do nothing, really mattered.
I wrote about the Old Highland Museum in a previous blog post in the context of their temporary exhibition of Swiss paper-cut art. However, this museum is well worth a visit for their permanent exhibition of traditional art and lifestyle of the Fribourg highlands.
I visited this place last year in December and wrote about their exhibition of Leo Yerxa’s art here. This is post is about the permanent collection of native north american art.
To my mind a contemporary museum is an educational space that enables critical reflection by asking the right questions, while minimizing its own bias . If it manages to do all that while entertaining me that is progressive museography. Having said this, I don’t think the Nest Museum of Nestle is a real museum, mausoleum would be more fit of a title, or its other designation, discovery center for children and adults, is definitely more appropriate.
Cultural identity is an idea that sparked my interest a while ago and I started doing personal research on this subject and also went on a spree of visiting ethnographic museums in the areas where I traveled to see how this idea was reflected across various cultures by these so called “guardian institutions”. I’ve collected a lot of information which I plan to share here for whoever is interested in culture, ethnic art, travel and also research.
The Communications Museum in Bern had a makeover recently and is probably the best educational experience we’ve had in a museum. To me it’s proof of how much museography has evolved and how by embracing digital era technologies museums can become learning hubs for both adults and kids.
We recently visited the Museum of the district Pays d’En Haut in Château d’Oex which is hosting a temporary exhibition of Swiss paper-cut art from the Simmental, Saanenland and Paysd’Enhaut regions of Switzerland.
I was attracted to the idea of outsider art since a couple of years ago when I discovered the concept but didn’t quite grasp what it was until this Saturday when we visited the Outsider Art Museum in Lausanne. I had enrolled my son in a sculpture workshop for children on the theme of their newest exhibition dedicated to the human form – Le Corps.
Today seemed a perfect day for Acquatis, perfect because of the bad weather 🙂 and it was really worth the trip to Lausanne.